About Lalbagh Chya Raja

About Lalbagh Chya Raja, a photo by firoze shakir photographerno1 on Flickr.

Lalbaugcha Raja is the most famous Sarvajanik Ganapati, [1] kept at Lalbaug, a prominent locality in Mumbai during Ganesh Chaturti festival. The idol is kept for public display for Eleven days thereafter it is immersed on the auspicious day of Anant Chaturdashi. The pendal attracts hundreds of thousands of devotees during the festival[2] and is the center of prime attraction.There are two lines for taking blessings of the Lalbaugcha Raja - THE NAVSACHI LINE and MUKH DARSHANACHI LINE.Around 18 LAC people visit the mandal on the 1st day of ganeshutsav .It takes around 25-30 and sometimes 40 hours for THE NAVSACHI LINE and 15-20 hours for MUKH DARSHANACHI LINE to reach the ganpati stage due to the long lines ranging from 5 to 6 km. Many times MUKH DARSHANACHI LINE reaches Byculla and THE NAVSACHI LINE reaches very very far.
It is believed that this Idol of Lord Ganesha is Navsacha Ganpati (which means the fulfiller of all wishes) and hence around 1.5 million people or more visit this Ganesh Pandal daily during the 10 day Ganeshotsav festival.Soon Lalbaugcha Raja is supposed to be a pigrim place.
Since last few years, few days prior to the Ganesh Chaturthi day, Mukh Darshan Ceremony (Lalbaugcha Raja's first look and photoshoot) is organised by Lalbaug Sarvajanik Ganeshostav mandal. This year the ceremony took place on Thursday, September 5, 2013. This unveiling of Lalbaugcha Raja is covered every year by all national and regional channels.[3]

Lalbaugcha Raja is the popular Ganesh Idol of Lalbaugcha Raja Sarvajanik Ganeshotsav Mandal. The Mandal, formerly known as Sarvajanik Ganeshotsav Mandal, Lalbaug[4] was founded in 1934 at Lalbaug Market.
History[edit source | editbeta]

The Mandal, formerly known as 'Sarvajanik Ganeshotsav Mandal, Lalbaug' was founded in 1934,[5] because of a vow (Navas) for construction of the present Lalbaug Market at its existing place. The market place at Peru Chawl was shut down in 1932. Hence, the fishermen and vendors [ i.e. the KOLI people] who used to sit in the open place vowed to Ganesha for permanent place for their market. With the consistent efforts and support of the then local Councillor-Late Shri. Kuwarji Jethabhai Shah, Dr. V. B. Korgaonkar, Shri. Nakhawa Kokam Mama, Bhausaheb Shinde, Dr. U. A. Rao and the local residents, the landlord Rajabai Tayyabali agreed to give a plot for construction of a market. As fulfillment of their wish, the fisherman and the traders established the Ganesh Idol on 12 September 1934. The idol was dressed in the customary fashion of fisherman. Since that day onwards, this Lord Ganesh has become popular as it fulfills the wishes of devotees. The Mandal was formed in the era when the freedom struggle was at its peak.

From Wikepedia ..
I have been shooting Lalbagh Chya Raja since 2004 ,,promoting Hindu Muslim Amity through my blogs ,,

Goddess Gauri. Beckons

Goddess Gauri. Beckons, a photo by firoze shakir photographerno1 on Flickr.

GODDESS GAURI. Goddess Gauri is one of the manifestations of Goddess Parvati. Indeed she appears to be Parvathi herself on a retrospect time scale. The common epithets for Parvathi are Uma and Aparna. In the Ramayana the name Uma is synonym for Mother Parvathi. In the Harivamsa, she is Aparna meaning One who took to sustenance. These are also correlative to Sati. Mother Parvathi is Shakti or the Divine Mother, appearing in many forms such as Durga and Kali also. In describing Parvathi’s complexion, she is addressed as Gauri, the fair goddess or as the dark Kali. Could one say that Gauri was indeed Mother Parvathi in her teens and its corresponding emotions and feelings?

Notwithstanding, Goddess Gauri stands on her own as the divine energy of Mother Goddess. Gauri is auspicious and brilliant. She extends her protection to her bhaktas and is swift to punish evil doers. Mother Gauri enlightens the spiritual seeker and removes fear of rebirth by granting salvation. She is the symbol of growth and maturity. That also means she represents new life.

She is symbolic of fertility and motherhood and of the victory of good over evil. In her beauty and grace, She is considered as a perfect wife for Her husband, Lord Shiva. Mother clearly represents purity and austerity. Her mythology does not take her beyond being a Kanya Kumari or unmarried girl who set out to perform severe tapas or penance to marry Lord Siva.

MYTHOLOGY: Legends surrounding Goddess Gauri is most certainly linked to Parvathi’s complexion. Parvati first attempted to seduce Lord Siva. The Lord found her hardly attractive and does not entertain her. He reproached her. This taunt so incensed her that Parvati retreated into forest greens. Amidst nature, she performed a most severe course of austerities. But she was focussed to develop Her spiritual powers. This caught the attention of Lord Brahma. He decided to grant Her one wish. Parvati asked that Her dark skin be taken away, so that Shiva would love Her. Brahma took the darkness and created Goddess Kali with it. Brahma then bestowed that Parvati be shining with golden skin. From these circumstances, She became the Goddess Gauri. That was not enough to distract Siva. Brahma had to send Kama, Rati and Spring to draw the Lord's attention. Thereafter she re-manifests as Parvathi. Nothwithstanding, Hindus revere Gauri as a stand alone Goddess.

THEMES: Goddess Gauri’s themes are spring, protection, fertility, harvest, beauty, humor, youthfulness, wishes and equality. Her symbols are balsam, golden-colored items, milk, mirrors and lions. This fertile Hindu Goddess extends spring-like youth, beauty and tenderness into our lives. Gauri has a sympathetic ear for all human needs and wishes. She can also said to represent sexual restraint and the life giving aspect of Nature.

DEPICTION: In works of art, She is depicted as a fair maiden, attended by lions and bearing wild balsam and a mirror. She was born of a milky sea, and Her name translates as ‘golden one’, indicating a connection with the sun. She is usually depicted with light or golden skin. Because of Her golden color, She is associated with rice and grains, taking on the role of a fertility Goddess. Parvathi as Gauri is depicted wearing a green sari, bedecked in the sixteen love-charms and sitting demurely with Lord Siva. Her favourite offerings are rice based prasada. Bhkatas take the view that she blesses with a good rice crop.

GANESHA CHATHURTI: The deity of Goddess Gauri is also celebrated during Ganesha Chathurti. Both the deities are brought into the home together. This is often a fun affair with drumbeats, songs and music. Gauri’s arrival, usually after two days of Chathurti, to the homes is said to bring health, wealth, happiness and prosperity. The first day puja is the avahana, next day it is Satyanarayan puja and on the third day Gauri is immersed in water. Gouri finds her source in the Puranas. She is linked with Goddess Parvathi, Rajarajeswari and Lalitha Tripurasundari. Married women worship Goddess Gauri with kumkum for marital bliss or sowbhagyam. Unmarried girls pray for good husbands.

GAURI VRAT: This puja of austerity by unmarried women and young girls, is also known as Gauri Parvathi Vrat. In Tamil Vrat is Veratham. Based on Parvathi-Gauri-Siva mythology, unmarried females observe this vrat for divine blessings of obtaining an ideal husband like Lord Siva. The Vrat is observed for five days beginning on the Ekadashi day in the month of Ashada in the waxing phase of the moon. It ends on the day of Purnima. In some places corn shoots are grown in a small pot. The tender corn shoots emerging along with Lord Surya, the Sun God, are worshipped during the day..

Food vrat is observed during the whole day. The night menu would be food made from wheat flour, ghee and milk. Salt is prohibited. Fruits and fruit juices are consumed. At the end on Purnima, Gomata puja is performed. That is in reverence to Goddess Parvathi.

GOWRI HABBA. This is a celebration a day before Ganesh Chaturti. This festival is also known as Swarna Gowri Vratam. Swarna means gold which basically means worshipping along with Sivalinga. Gauri or Gowri Habba is attributed to the South and known as Hartalika Vrat in the North.

Goddess Gauri is worshipped as the wife of Lord Siva and Lord Ganesha’s mother. She is considered to be the incarnation of Adi Shakti Mahamaya bestowing courage and power. Gauri is brought into the homes like an unmarried girl and the following day events depict Lord Ganesha coming to receive and take her home to Kailasa. It is believed that Lord Siva sent Ganesha to bring the Mother home. It is common practice to make beautiful clay idols of Goddess Gauri and Lord Ganesha to be worshipped and thereafter immersed in a pond.

Gowri Puja is shradda or purity and dedication. Sometimes this is a group festival celebrated with friends and neighbours. The house is thoroughly cleaned. A temporary shrine is erected using banana stems and leaves. Alternatively a puja cabinet is used. The deity is either ready- made idols or the indigenous method to make an idol of Gauri. Her deity is decorated with garlands, mango leaves, turmeric, tulsi and sandalwood paste.

A sacred thread with sixteen knots called ‘Gauridaara’ is tied to their wrists. This is supposed to be with the blessings of Goddess Gauri. It is symbolical of Parvathi spending sixteen years in tapas to win Siva’s heart.

Pooja thala with puja items known as Baagina offering is a major part of the celebration. Usually five baaginas are prepared as part of the vratha. Each baagina contains a packet of arshina or turmeric, kumkum, black bangles, black beads which is used in the mangalsutra, a comb, a small mirror, coconut, blouse piece, dhaanya or cereals, wheat or rava and jiggery. Usually there are sixteen different items.

The main puja ceremony involves bathing the deity in milk, ghee, curd, honey and water. Aarti is performed followed by bhajans. The first baagina is traditionally offered to Goddess Gauri and the remaining is given to married women. According to the Puranas, Gauri Vratam bestows wealth and worldly well being to bhkatas who observe it. It is legendarily believed that the vrata is so powerful than even a dry tree will turn green after its observance.

It is to be always remembered that all rituals are man made. They facilitate prayers. Over time the rituals are added or subtracted. Rituals are also regional; some not having any vedic connection at all. These are customary ritual. In Hindu thoughts a simple prayer done in sincerity according to one’s means is sufficient. The core concept of Sanathana Dharma is Brahman and its realization and that should be the emphasis. Rituals may aid to a certain extent provided the woods are not missed for the trees.

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